fix: myriad typos and issues
This commit is contained in:
parent
21a158602a
commit
be92f3bdf0
64 changed files with 107 additions and 104 deletions
|
@ -9,7 +9,7 @@ tags: ['music']
|
|||
|
||||
> When getting into a band became as easy as typing its name into a search box, particular musical tastes lost their function as signifiers of commitment. What you listened to ceased to be a measure of how much you cared and became a mere list of what you liked.
|
||||
|
||||
I used to be (and suppose I still am — to some extent) a fan of heavy metal. Almost all of the bands I listened to released records through small labels or independently with small print runs for each release being the norm. At the time, half the fun was not only finding new bands but actually _finding_ their releases so you could even listen to them. No band is all that great if everyone can listen to them and all that — exclusivity is king and all that (there was a sense of ownership or being in the know that came along with finding a new band and being able to refer fans of similar music to them).
|
||||
I used to be (and suppose I still am — to some extent) a fan of heavy metal. Almost all the bands I listened to released records through small labels or independently with small print runs for each release being the norm. At the time, half the fun was not only finding new bands but actually _finding_ their releases, so you could even listen to them. No band is all that great if everyone can listen to them and all that — exclusivity is king and all that (there was a sense of ownership or being in the know that came along with finding a new band and being able to refer fans of similar music to them).
|
||||
|
||||
Streaming services have eroded a lot of the excitement inherent in the old process of discovering new music. Now you can follow playlists or immediately stream just about anything anyone recommends to you (there are some notable exceptions — one of my favorite bands, Canadian punk act [NoMeansNo](http://www.nomeanswhatever.com), only has a greatest hits compilation distributed digitally). As silly as it is, I get less excited about finding new bands now and I tend to over-listen to releases I'm excited about, burn out on them and move on. As fans, we're less invested in what we're listening to because we didn't make the effort to discover it and the financial investment in a physical release or digital download to really attach us to it. Sure, we _are_ paying for music inasmuch as paying a [Spotify](http://spotify.com) or Beats is paying for access to music ... but we're not directly supporting artists by buying those releases, by seeing the artwork, by having to go through the tea ceremony of pulling out a vinyl record and putting it on a turntable.
|
||||
|
||||
|
|
Reference in a new issue